sarah kelly
  • Sarah Eliza Kelly
  • about
    • about
    • statement
    • c.v
  • works
    • slideshow
    • study in ink and water
    • TONO
    • study in vacant pages
    • how do I make of myself a body
    • zimzalla
    • study in liquid texts
    • I move as part of a piece of a sequence with a move of residual
    • All that builds
    • Ways of remaking cuts
    • study in Concrete Poetics -1
    • Nine Errors
  • writing
    • visual/concrete >
      • surnames (eyes down)
      • infinite editions
    • writings about writing
    • publications >
      • The New Concrete
      • locklines
      • ways of describing cuts
      • Dear World and Everyone In It
    • recordings & soundcloud
  • molino editions
  • English PEN
that drop stop
gravitates to 
the heart of it
finds imperfectability
the potential for
loss and
loose anger

all you 
realized was
stopping in
still
makes that
still become
a happen

and if we dig
along cracks we
will move it
fill in
the gaps get
abundant
get oblong and
fourth-like

but the stop is
sent to the side
of vacant 
handrail
sinkings

settling 
is as a question 
of erased decisions
these differ
from the move-to
as simplicity of
choice

I decide
in interrogation
with a presence 
and a pale eye
because this 
hesitation now 
is for resistance 
to both

fraudulence and
casual
boredom by arrangement

it was at
hesitation
at persistence
where I met
hot temper tears
carrying reflections
of the 
paper patchwork
I am wrapped in

blankets on blankets
dragging authenticity
in dust

bring yourself
here child
lets cross those
columns out



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